Tuesday, July 2, 2013

Bringing Home Brazil

Homecoming
After a full 26 hours of traveling by car, plane, bus and foot, I finally arrived home to our little apartment in Colorado yesterday. Waiting there to welcome me back was a beer stein full of beautiful flowers from my husband and a wiggly, excited dog. My husband was still at work and the house was quiet except for the contented snorts of the dog, who snuggled against my travel-weary legs.

After a hot shower, I suddenly felt an urgent need to unpack, as if seeing Brazilian objects would help me figure out how to begin describing what I did and saw there. So much happened in the past 12 days that was unlike anything I'd ever experienced before... I wanted to do my memories justice with the stories I told.

Several of the handmade items I brought back broke and needed to be repaired, but the majority returned unharmed. As I looked at each piece, examining it for damage, I visualized the real people and places in Brazil that they represented. Each object seemed to carry with it the sound of matracas or waves, the smell of limes or sweat, the taste of shrimp or corn cakes...

Along with the objects, I came back with a camera full of images. These images, while they often fall short of conveying the true color and magnitude of Brazil, also help to tell my story. Below is a series of my photos that I have arranged so as to connect the art I brought home with images of the actual events I lived.







Over the course of the next week, I will be doing a series of posts in which I explain what is going on in these photos (except for the clowns in the last picture-- there is never an explanation for clowns). These forthcoming posts will cover everything from my trips to the sea-side Alcântara and the traditional communities of Taim and Rio dos Cachorros, to the Bumba meu boi, forrô, and tambor criolo street performances, and finally to the culminating event of my stay in Brazil: Saint Peter's feast day (and night).

Coming home is one of the most important parts of traveling-- without coming home, we would never learn to connect our memories to words. Making that connection is important, too, as our words shape and paint our memories, sculpting them into coherent events.

As I begin trying to put my memories to words in upcoming posts, I am drawn to the contrast between memories I made by actually being in Brazil and memories of the fantasy Brazil I dreamed up before I had the chance to go. That is, I still have the memories of the Brazil I spent years dreaming up and they are as vivid as the memories I made in the mere 10 days spent in the actual country. There is something still palpably real about my dream-Brazil, and that is likely due to the fact that many of my fantasies of this place were informed by my husband's art. He wasn't able to accompany me on this trip, but as I look back at his artwork, it seems he may have gone there already somehow... long before me...
One of my husband's artworks
The church in Alcântara where I attended Mass

***
What are your fondest memories?? How do you tell the stories of the most significant events in your life?? What are the things you bring home from your journeys??

Until next time, fair rustlers of petticoats-- keep rustling!

Friday, June 21, 2013

Rest and Unrest


Yesterday afternoon, I arrived safe and sound in São Luís, Maranhão. As I stepped off the plane, I could already hear the percussive sound of folkloric drums being played. And that is not meant as a metaphor-- in the airport, a group of dancers donning the traditional junina costumes danced and performed to the delight of the recently arrived tourists (the vast majority of whom were Brazilian).

It was about 3 in the afternoon when my advisor, Tania, and I arrived. We were met at the airport by one of the undergraduate students participating in the conference next week. He drove us through the confusing streets (paved and unpaved) of São Luís. It seems motorists here in São Luís need not a driver's license but a contract with God or the devil to be able to navigate the intricate and ever-changing traffic patterns. An example: on a road where at one time there seems to have been a stripe painted down the middle, implying two lanes, we are weaving between three and sometimes four lanes of traffic. Another example: it is perfectly acceptable to drive down the wrong side of an unpaved road in order to avoid Escalade-sized potholes (naturally).

As I peered out the car windows, I took in my first glimpses of the city. The green of fruit trees, though ubiquitous, is often eclipsed by the neon paint covering small shops, hardware stores, car garages, and community centers. The breezes from the nearby Atlantic offer a welcome reprieve from the otherwise dense, humid air during this (winter!) season, two degrees off the equator.

Jimi Hendrix, the Brazilian dog
When we arrived at our hosts' house, we were greeted by a small pack of adorable little dogs, and hugged and kissed by our hosts (a handshake is such a cold greeting- I'm giving it up!). We were immediately given a tour of their beautiful garden, which had coconut trees, carambola (star fruit trees), sweet chiles, spicy chiles, and buriti palms (a tree with which people of this region make a huge variety of goods).

After the tour of the garden and the house, we were told to go shower! Due to the humidity and heat, one showers about 3-4 times daily, as a matter of cleanliness but also comfort. My host joked with me, saying "When you come to Brazil they say, 'welcome, do you want to take a shower now?"

Food, wine, and rich conversation about Brazilian history followed. After about 27 hours in airports and cramped airplanes, I felt I had died and gone to heaven.

This morning, Tania and I ventured into the historic downtown of São Luís. Many of the buildings were built in the 17th century by Portuguese colonists. This area was declared a cultural heritage site by UNESCO in 2002, but since then, there has been little restoration work on many of the buildings. I'm told that the houses are privately owned and many owners chose not to spend the money for repairs, simply waiting for the buildings to fall into such disrepair that they can demolish them and build a parking lot, which is apparently much more lucrative than a house that is about 500 years old. Other  owners are just hoping that the government will step in and complete the necessary repairs. Either way, it is a little bit sad to see heritage crumble in places.

Nevertheless, the city center is gorgeous. The buildings' facades are adorned with beautiful Portuguese tile and, due to the 20-day festival held every year in June, little flags stretch between the balconies.





Lanterns, waiting to shine at night
While Tania and I explored the area, we popped into a number of different shops selling artisanal goods made by local indigenous groups. We went to the Igreja da Sé and the Igreja de Carmo (I didn't take photos inside, as people were praying). We stopped into a hat maker's shop, too, as I am on the hunt for a chapeu de cangaceiro for my husband. We also had fresh coconut water in the middle of a cobblestone street. Finally, we visited a free museum (located in an 18th century house) dedicated to showing the works of Dom Nhôzinho, an artist who was crippled from birth, had claw hands, one foot, and one eye. He fashioned his own wheelchair and made art compulsively. It was hard to get pictures from inside the museum, but there are no other images I can find available online.
Hat maker

Coconut seller: first she wields the knife...  

...then she gives you a delicious drink.

Note: the street I'm enjoying this coconut on was constructed in the 1600s. 


Ceramic plate depicting traditional masks and costumes of the junina festivals


From inside the Museu de Dom Nhôzinho, looking out

Giant puppets

The Museu is located in a 18th century colonial house- this is a fountain inside

Dom Nhôzinho's art work

Dom Nhôzinho

Dom Nhôzinho

A collection of art studios next door had this giant statue of Christ, watching over the painters....
I believe that tonight I will get the chance to see the Bumba meu boi celebration. I am not sure if I'll be able to take the camera, however, as it will be a very crowded event, and it takes place at night... we shall see, fair petticoat rustlers!

I also wanted to note that the Brazilian people, in cities all over the country, are in protest of the government's shameless appropriation of their money and the rampant corruption that plagues the political system here. I have not seen, nor been part of, any of these protests yet. I suspect (hope) I will see one, and be able to relay to you what it was like. I am very impressed by the peacefulness and tranquilness with which the people demonstrate their agitation... it allows their movement to retain dignity and integrity-- two things they are attempting to get back into government.

***
Until next time- keep rustling those anáguas!



Tuesday, June 18, 2013

Order and Progress

The words that stretch across the starry sky of Brazil's flag mean "Order and Progress" and come from the French philosopher Auguste Comte's positivist motto: "Love as a principle and order as the base; progress as the goal." Soon I will be hurtling through a starry night sky towards the country that waves this flag.
"Order and Progress" 
Tomorrow I begin my journey. Flying all night, I will reach Brazilian air space by Thursday morning. I will land first in São Paulo, one of the world's most populated cities. I will not have a chance to explore this great city, though, as I will remain in the airport to catch another plane to São Luís in the northeastern state of Maranhão. After meeting up with my phD advisor and having a little lunch, we will board a boat that will take us to a smaller island called Alcântara. Thursday night, far from the Colorado Rocky mountains, I will sleep near enough to the Atlantic ocean to hear the sound of waves.

Packing bright colors
Packing good books
For many years, I have dreamed of seeing this country. It is almost surreal to be packing my things, mentally preparing to arrive in a place I started believing only existed in books and songs. I imagine Brazil to be a place in which history and future intersect; standing in one place, one is able to see yesterday and tomorrow all around.

The only book I've written so far: my passport
It has been almost ten years since I last ventured outside of US borders. Since my last adventure abroad, I have lived in three different US states, earned 2 postsecondary degrees, tried my hand in the nonprofit and the corporate world, and married my soul mate.

I am older and perhaps even a little wiser, which means that traveling seems to present itself in a different light now; I feel I can comprehend with much more clarity what Italian writer Cesare Pavese meant when he said "Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance. Nothing is yours except the essential things: air, sleep, dreams, sea, the sky - all things tending towards the eternal or what we imagine of it." I am more aware that traveling is a "brutality" but I am also more aware that it is a privilege and a precious gift to encounter the things I imagine reveal the eternal...

Another change is that I am not traveling merely as a tourist, but as an academic, participating in conferences and working with research groups on potential articles and books (and of course, on my dissertation). So while I will be encountering Brazil for my first time, I will need to know a good deal of things about it already (such as the language). I am terribly excited and terribly nervous.

I will not know until I get there how much access I will have to the blogosphere, but I hope to be able to provide at least one update while there. Wish me luck!.. and until next time, keep those petticoats a-rustling!

Friday, June 14, 2013

America in Color

And speaking of old photographs...

"Bound for Glory: America in Color" was the name of the 2006 exhibit that displayed photographs of American life in the late 30s, early 40s. Taken by the Farm Security Administration/Office of War Information and preserved today in the Library of Congress, these photographs are reproductions made from color slides - which gives them the distinction of being some of the only color images of the effects of the Depression on rural communities. 

These images are beautiful and painful - the resilience of the human spirit and the misery of extreme rural poverty are shown in full, brilliant color. 

Here are just a few of the images: 
Dancing
Playing
Selling
Hauling 
Planting
Posing
Praying
Chatting



Waiting
Smoking
Swilling

Eating
You may view the rest of the photos here- they are captivating. 

Long before these photos were taken, Emily Dickinson wrote a poem acalled "There's a certain slant of light" that I think fits with these rare color photos of post-depression America, as communities struggled to emerge from the "scar" and "internal difference" of hard times...

There's a certain slant of light,
On winter afternoons,
That oppresses, like the weight
Of cathedral tunes.


Heavenly hurt it gives us;
We can find no scar,
But internal difference
Where the meanings are.


None may teach it anything,
'Tis the seal, despair,-
An imperial affliction
Sent us of the air.


When it comes, the landscape listens,
Shadows hold their breath;
When it goes, 't is like the distance
On the look of death.


***
What do you think of the photographs? What is your favorite Emily Dickinson poem? Until next time, kept rustling!